A disenchanted playroom, 2006
“This work has its origins in an everyday situation: I saw a child watching television. Although it was just a normal scene, the child’s facial expression remained fixed in my memory for a long time. After a while he began to occupy my thoughts so much that I decided to look more carefully to see what it was that had so fascinated me, or perplexed me. Taking virtually the same perspective that I had when looking at the child before, I then set about making the portraits. Only the scenic framework was different, that is, the background and lighting. But this framework was important to draw the viewer’s full attention to the children’s facial expressions. I didn’t want to stylize them, however, but to show them as realistically and naturally as possible: some with dirty or sweaty clothes, just back from playing, with unkempt hair and without makeup. In these portraits it was important to record the precise moment in which the children showed absolutely no impulse or emotion at all, when it was most obvious that they had been taken in by the television in a certain way and had abandoned themselves to it – even when what they were watching was child-oriented programming. Far from demonizing the television and its possibilities, this reveals to me how the world is disenchanted for these children in that moment.”













Installation View














Goethe-Zentrum, Asunción, Paraguay 2010
Goethe-Zentrum, Asunción, Paraguay 2010
Desencantado/Entzaubert, Universidad de Concepción, Chile 2009 (Photo: Monserrat Rojas Corradi)
Desencantado/Entzaubert, Universidad de Concepción, Chile 2009 (Photo: Monserrat Rojas Corradi)
Entzaubert/Desencantado, Ministerio de las Culturas, Valparaíso, Chile 2009 (Photo: Monserrat Rojas Corradi)
About Face (with Edith Amituanai, John Lake, Virginia Woods-Jack), Enjoy Gallery Wellington, New Zealand 2008
About Face (with Edith Amituanai, John Lake, Virginia Woods-Jack), Enjoy Gallery Wellington, New Zealand 2008
Disenchanted, Starkwhite Gallery Aukland, New Zealand 2008
Disenchanted, Starkwhite Gallery Aukland, New Zealand 2008
Entzaubert (Talents 07, Wolfram Hahn/Daniel Klemm), C|O-Berlin, Germany 2007 (Photo: Marc Volk)
Entzaubert (Talents 07, Wolfram Hahn/Daniel Klemm), C|O-Berlin, Germany 2007 (Photo: Marc Volk)
Entzaubert (Talents 07, Wolfram Hahn/Daniel Klemm), C|O-Berlin, Germany 2007 (Photo: Marc Volk)
Entzaubert (Talents 07, Wolfram Hahn/Daniel Klemm), C|O-Berlin, Germany 2007 (Photo: Marc Volk)
Entzaubert (Talents 07, Wolfram Hahn/Daniel Klemm), C|O-Berlin, Germany 2007 (Photo: Marc Volk)
“It is the dark side of the media world that Wolfram Hahn sensitively points out here, because television does not require viewers to actively engage with its content, but merely their undivided attention.” Ruth Schneeberger: Disenchanted worlds. In: Süddeutsche Zeitung Online, 23 Jan. 2012.
Jörg Colberg: Presenting Wolfram Hahn – C/O-Talents. In: Jörg Colberg, 25 Jul. 2011.
“In Hahn’s work, we are confronted with captively attentive, solitary children under the influence of the media.” Matthias Harder: Wolfram Hahn at C/O. In: Art in America, Oct. 2007.
“Hahn's work allows us to see what television means at three, six, and ten years old. His pictures should become as much a part of the public domain as the announcers and TV stars that are plastered everywhere: just like them, they depict the face of our time.” Andreas Kilb: Little starers. In: Frankfurter Allgemeine Zeitung, 19 Jun. 2007.
“Culture has shaped children's brains ever since culture existed. Hahn’s photographs depict a central contemporary figure in this process as the closest stranger. It is becoming increasingly clear that young people are no longer only influenced by their families and schools, but also by far more powerful institutions. There is something creepy about this face of our time, because it doesn't look at you.” Gustav Seibt: The calm before the storm of images. In: Süddeutsche Zeitung, 5 Jun. 2007.